Cabildo Quarterly online: Juan Ramon Jimenez translations by Ryan Roderick.
24
Death, if you bury us
It will not be a hard and dry abyss
But a soft depth,
An immense profundity!
If you are, death,
like a black subterranean summer;
it matters not, in you, that the sun falls
because the night is beautiful and clear!
25
THE TRUTH
I have…
Cabildo Quarterly #1-2 now available on Issuu.
I’m laying out the third issue this week. In the meantime, check out the first two print installments on Issuu.
Mortality, Office Supply Division by Dale Nixon
How
will
I
ever
live
to
use
ten
thousand
staples?
Cabildo Quarterly online: Review: "Gift For the End," by Mariee Sioux
Review: “Gift For The End,” by Mariee Sioux
Mariee Sioux makes gentle music that encapsulates the fierceness of the wild. Her latest album Gift for the End inspires the sensuous and provides instruction for returning to the earth and intimate realities of the animals. The first track…
Cabildo Quarterly online: Review: "Radon," by Travis Fristoe and Aaron Cometbus
I’ve caught so much shit from the older generation for writing an installment of the 33 1/3 series on the Minutemen. How could I possibly know what it was like Back In The Day when I wasn’t there? The simple answer, of course, is (and always has been) I have no idea. All I know is “Double…
"False Positive" on May 7th.
Dead Trend’s debut LP. Singles every week in April. Get psyched!
Cabildo Quarterly online: (from) The Summer Flood Came Home, by Stefania Irene Marthakis
(from) The Summer Flood Came Home, by Stefania Irene Marthakis
Flood stands at the bottom of Marge’s stairs. Flood watches the way the last step curves on the side, spilling onto the floor and wall. Marge hems grandmother and the rest of the family’s clothes in a large living room on the…
Cabildo Quarterly online: Review -- Scam #9: Damaged, The Story of Black Flag's First Album
Review: Scam #9
When I heard the news of first one, then two Black Flag reunions, my first thought was that Greg Ginn was cashing in. Not on the band’s music or on their albums or on what any of the past members have done (or not done), though. I was momentarily (and totally) convinced…
Dead Trend playing at Mathews. Album out soon.
Review: Cowboy Band: "Cowboy Songs" (Lungbasket)
I remember, from my cloistered teens, multiple instances of skaters in Thrasher and Transworld (and even Poweredge) talking about the synergy between the twin U.S. coasts: some skater would invent and name a new move in California just as some East Coast type, removed from everything happening on the Left Coast save for rumor and conversation, invented the exact same move, and named it something different.
I’ve always been fond of the notion that the same ideas can spring up in different places at the same time, spurned on by other different ideas. I love similar arrivals despite disparate routes.
Make no mistake, when I saw the Cowboy Band play Whitehaus last year in February I was stoked: the band shambled their mathy way through grooves and breaks, with the sort of abandon which I gradually realized meant that, like the best bands, they were in total control even though they seemed to teeter on the brink of collapse, threatening to come off the rails at any moment. These cats didn’t even need eye contact, such was their skittery telepathy.
This was in a sweaty basement, so words weren’t clear to me, but I figured I had their number anyway: the Minutemen were obviously involved, what with Cowboy Band’s adherence to individual tangents and embellishments which added to the sum rather than subtracting from it. Gang of Four was in there, too.
Well, what do I know? When I buttonhooked and harassed one of the guys afterwards, they professed no knowledge of either band. What they were into, they said, was taking old cowboy classics – hence their name– and reinterpreting them. Allan Lomax’s field recordings were the biggest influences, as was Alvin Ayler’s stuff.
The music itself was (and is) enough to pique my interest but the band’s arrival at this, their great point, is somehow greater to me (and hopefully to you) because of their path: they set out to do something, and did it, landing at a point which will stoke listeners of an entirely different thing. Theirs draws on a folky, down home tradition which is maybe only aware of the punk family tree on the far edges of periphery, but to weirdos like me in the Minutemen/Beefheart/Gang of Four/Pere Ubu subsection, it’s right there, on its own coast, doing its own thing but –but!— also involved in this other conversation. Which turns out to be the same one after all. Just different.
Michael T. Fournier
Cabildoquarterly.tumblr.com
Cabildo Quarterly online: Playing the blues to overcome the blues: Eric Green Interview Interviewed by Lisa Panepinto
Playing the blues to overcome the blues: Eric Green Interview
Interviewed by Lisa Panepinto
cabildoquarterly.tumblr.com.
For a .pdf of this interview go here: http://pdfcast.org/pdf/an-interview-with-eric-green
Eric Green is a blues, swamp, funk, jazz musician & Maliseet and Penobscot…
Cabildo Quarterly #2
The second issue of Cabildo Quarterly, with tons of great contributors. As always, its better analogue, but here it is in .pdf format.
Pazz and Jop ballot 2012
Blatant homerism.
"Hidden Wheel" now available on Kindle
My debut novel is now available for Kindle, thanks to the nice folks at Three Rooms Press.
Chicago: @ Quimby's 11/10
Katie Lattari and I will be reading at Quimby’s Saturday 11/10. I’ll also be reading in South Bend that weekend – details TBA.